Having fun at Speed Blogging.

Complaints about Speed Blogging seem to be more common than usual this year, though it’s always been a bit of a controversial event at the Wine Bloggers Conference. Speed Blogging is, simply put, controlled chaos.

The organizers like to call it “Speed dating for wine,” which is a fairly apt description, except that each winery has a five-minute date with a table of 10 bloggers, not just one. When that five minutes is up, they move on to the next table, and we bloggers receive our next “date,” ready or not.

As I described in my previous post, there tends to be a lot of shouting. “What’s the retail price?” What’s your Twitter handle?” “Who are you? What? The winemaker? Spell your name. I said SPELL YOUR NAME.” This is not the genteel, vaguely aristocratic atmosphere most people picture when they hear the words “wine tasting.”

People complain that this format doesn’t do justice to the wines, that it’s impossible to taste and listen and take notes and take photographs in the allotted time, and basically that this isn’t they way they usually taste wine.

Fiddlesticks. Unless you’re in a seminar setting, most wine tastings are louder and more chaotic than people — even wine professionals — seem to realize. A walk-around tasting, the most common wine-tasting format, tends to be crowded and noisy. Tasters jostle to get to the most popular tables, pourers are trying to talk about the wines — often several at once — and everyone is sharing tasting notes and impressions with each other. Even a very hotsy-totsy “Silent Tasting” I once attended in Bordeaux was surprisingly loud.

It’s far more common to be surrounded by distractions while wine tasting than not, unless you prefer to drink at home alone, of course. Speed Blogging has helped me to focus on a wine and form an impression of it quickly, in spite of what’s happening around me. It’s an important skill that’s served me well over the years.

And so, to the white wines. Whites aren’t nearly as popular to produce in Washington as reds, but the ones they do make tend to be quite good. There was only one wine I really didn’t care for in this round of Speed Tasting, and it came from elsewhere.

2015 Gård Vintners Roussanne: Washington winemaker Aryn Morell told us that this Rhône variety tends to be “oily and full, and there’s no reason to hide that.” And he does not. This Roussanne has heft! I love it. Pear/apple fruit, balanced oak and cream, lightening into acids, white-pepper spice and a touch of eucalyptus freshness… It’s right up my alley. This Norwegian-owned winery made its first vintage just 12 years ago in 2006, but they know what they’re doing. A great deal for $24.

2017 Otis Kenyon Wine Roussanne: Like the Gård, this Roussanne comes from the Lawrence Vineyards, but it’s a very different wine. It has a more savory aroma, rather than fresh and heady. “Our Roussanne is definitely meant to be crisp,” owner Muriel Kenyon explained. It had cool and clean pink-lady apple fruit, and focused acids that, interestingly, had a darker feel than the Gård’s. Excellent balance. This is your summer Roussanne, and the Gård is your winter Roussanne. Another very fine buy at $23.

Consternation is the most common Speed Blogging facial expression.

2016 L’Ecole No. 41 Semillon Columbia Valley: Winemaker Marty Clubb was in the middle of his 36th harvest when he poured this Semillon for us. Talk about dividing your focus! I’m very glad he took time out to present his wine, a Bordeaux-style blend of 76% Semillon and 14% Sauvignon Blanc. It had an unexpected and enjoyable note of rosemary in the aroma, and lightly honeyed fruit followed by white-pepper spice and a dry finish. It was clear how this sort of wine can become Sauternes. Clubb told is that “Semillon is the most underappreciated white grape on the planet,” and I’m inclined to agree (though Furmint is also up there). This is an absolute steal for $15.

2018 Peter Yealands Sauvignon Blanc:  One sniff gave this wine away as a New Zealand Sauvignon Blanc. “It’s like you’re mowing a lawn in a lime orchard,” exclaimed Aspiring Wino Jeff Colden. I also noticed a little b.o. funk in there as it warmed and opened, adding interest. It’s a very fresh and bright and juicy wine, but it’s a bit of a grass and grapefruit bomb for my taste. You won’t catch me spending $20 on a bottle any time soon, but if you like grassy New Zealand Sauvignon Blancs, this wine won’t disappoint.

2017 Desert Wind “Heritage Series” Chardonnay:  Desert Wind purchased a vineyard parcel on a south-facing hillside of Washington’s famous Wahluke Slope in the 1990s, and I guess the 1990s means “heritage” nowadays? Yikes. In any case, this wine kept me in suspense. It started very creamy, and it felt at first like it was totally unbalanced. But then, just before all was lost, some focused acids and a perk of white pepper kicked in, followed by a touch of tannin on the finish, drying the tongue. Would I buy it for $28? I just might.

Go Uruguay!

2017 Bodega Bouza Albariño: An Albariño from Uruguay! Now we’re talking. “I think this is one of the whites with the best potential in Uruguay,” the presenter said as she poured. The family of the winery’s owner was from Galicia in Spain, the original home of Albariño. They brought back cuttings and planted them in Uruguay 18 years ago. The wine had dry herbs on nose, with straw and something surprisingly dark underneath. A very appealing and unusual aroma! But when you drink it, it’s bright, with broad granny smith apple acids, some serious freshness, and a delightful mineral note on the finish. An excellent value at $20!

2017 Hard Roe to Hoe Dry Riesling: Who would have guessed that the innocent-looking rowboat depicted on the label of this wine was a Lake Chelan shuttle service from Lucerne to a brothel? The winery tasting room has a bordello theme, “so keep in mind, it’s not kid friendly,” we were warned. I quite liked the unexpected note of butterscotch in this Washington Riesling’s aroma, with some freshness giving it a lift. It tasted of ripe appley fruit, balanced with lots of sharp, focused spice and prickly acids. If you think all Riesling is sweet, try this one — there is nothing sweet about it, except perhaps for a whisper of a butterscotch deep in the finish. I wouldn’t hesitate to buy a bottle for $19.

2016 Rodney Strong Vineyards Chalk Hill Chardonnay: This California Chardonnay comes from Chalk Hill, part of the larger Russian River Valley AVA (Chalk Hill has volcanic ash soils distinct from rest of the AVA). It moved from lush fruit — creamy pear and peach — to ample spice and a lift of freshness. And did I mention oak? OAK. There’s a bunch of it. That won’t please everyone, but since the wine ends spicy and fresh, it felt balanced, and I quite enjoyed it. I would love to try it with food. The price tag of $22 seems about right.

2016 Cadaretta SBS: Oak-phobes should try this wine instead, aged entirely in stainless steel. A blend of 67% Sauvignon Blanc and 33% Semillon, it also has no malolactic fermentation, which means you also won’t find much creaminess. This wine is the only white this Washington winery makes, so it had better be good, right? And it was. It had a fresh, warmly spicy aroma, along with an ample citrus note. The wine was delicate and perfumed, with a grounding savory note and a lift of bright, focused acids at the end. Wow, it’s a real value at $23! I would have guessed it was some sort of Alsatian something or other.

2016 Frank Family Vineyards Carneros Chardonnay: Made from Napa’s Lewis Vineyard, this Chardonnay presented lots of fresh hay and straw in the aroma, along with some overripe apple. Big ripe apple flavors moved gracefully to acids to oak to white pepper spice, to some freshness and minerality on the ringing finish. It’s pricey at $38, but it’s still a real value. A great finish to Speed Blogging!

For more Speed Blogging action, check out this post about the reds!

Amie Brittle of Maryhill Winery, and Liz Barrett, cohost of Name That Wine and writer of What’s in That Bottle, at her first Speed Blogging event

People don’t have shorter attention spans nowadays, according to the Wine Blogger Conference‘s keynote speaker, Lewis Perdue. They’re just more impatient. That’s good news for those of us who write overlong blog posts about wine minutiae. Ahem. And it’s good news for my favorite event at the Wine Bloggers Conference: Speed Blogging.

The conference organizers like to call it “speed dating for wine.” In case you’re too young to remember what speed dating was — does anyone still speed date? — speed dating involved spending a few minutes per person with several different potential matches. I can speak from experience when I say that “eight-minute dating” was about five minutes too long. Nevertheless, I met my husband at a speed dating event, so obviously the format has some merit.

I also love Speed Blogging because, in this era of supposed shorter attention spans, it demands total focus for the hour of its duration. We bloggers, sitting at tables in a big ballroom, have only five minutes each with 12 different wine presenters. They’re trying to tell us about the wine, we’re shouting questions at them, they’re trying to give us carefully produced press kits, we’re tossing them on the floor because we don’t have time to read them… And, through it all, we’re trying to pay attention to the wine so that we can say something intelligent about it. It’s mass chaos, and it’s a joy.

You might reasonably think that we have no business evaluating wines in such a setting. But it’s precisely because of the noise and the speed that Speed Blogging works. I focus intensely on my first impression of the wine, often more intensely than when I’m sitting in my silent living room with no distractions. It’s a challenge to assess wine in these circumstances, and like a vine under stress, the fruit of it can be richer and more concentrated.

On to the reds, mostly from Washington, in the order in which they were presented!

Sager Small of Woodward Canyon

2014 Woodward Canyon “Artist Series #23” Cabernet Sauvignon: The vineyard producing this Cabernet dates back to 1976, making it “old” by Washington State standards. Each label of the Artist Series wines, started in 1992, features a different Pacific Northwest artist’s work (rather like Mouton Rothschild). Composed of 92% Cabernet 6% Cabernet Franc and 2% Petit Verdot, this wine had a rich, dark fruit aroma with cassis and some vanilla. Very enticing! My mouth filled with fruit, followed by white pepper spice and supple mocha tannins. Oo, that’s a big boy, but with plenty of grace as well — not an easy balance to strike. It’s $59 at retail, and in this case, definitely worth it. “I kind of wish one of you had a steak in your pocket right now,” friend and fellow blogger Liz Barrett told Sager Small, the son of the winery’s owners and its viticulture and production assistant. Alas, he did not.

2015 Mullan Road Cellars Red Wine Blend: Founded by Dennis Cakebread, Washington-based Mullan Road is the “family’s first foray outside of California.”  This blend of 49% Cabernet Sauvignon, 34% Merlot and 17% Cabernet Franc had a very appealing aroma of ripe dark cherry, with a bit of chocolate and a touch of green peppercorn spice. Another rich beauty, with full fruit, focused acids and well-integrated, big mocha tannins. Through it all, a shaft of white-pepper spice held everything together. I would pay the $45 retail price for this wine, no question.

2014 Maryhill Winery Malbec: This wine wasn’t the only Washington Malbec that caught my attention at the conference. “We like to consider ourselves representative of the potential of the Columbia Valley; we work with 35 different varieties, and make 50 different wines,” according to Cassie Courtney, marketing director. That’s a lot of wines to keep track of, but certainly they didn’t give the Malbec short shrift. It had delightful fresh plum and prune fruit aromas. Flavors of deep, dark fruit were buoyed by a shaft of green peppercorn spice. Nice, even development, with focused acids and spice — what a deal at $26!

2015 Columbia Winery Red Mountain Cabernet Sauvignon: Columbia was the first to produce Syrah and Pinot Gris in Washington, but today, they poured their Cab. I liked its plummy aroma, with more of that deep, dark, ripe fruit so many Washington reds seem to have! It developed with grace on the palate, moving from fruit to focused acids and spice to tannins, which get bigger and bigger. The tannins get pretty darn serious by the end, so I would love to try this wine again in a few years. This wine is available only in the tasting room, “So come and see us in Woodinville.” Not at all a bad value at $38.

2015 Domaines Barons de Rothschild “Légend” Pauillac: “I’m in,” as my neighbor said when she saw this wine, and who could disagree? “A wine for every day” produced by the same winery that makes Lafite Rothschild, Légend is intended to make Bordeaux accessible to consumers. This blend of 70% Cabernet Sauvignon and 30% Merlot had a fresh plum aroma with some blueberries, and even a touch of cinnamon in the nose. It felt light on its feet, with bright, ripe cherries, some eucalyptus freshness and rather rough-and-ready tannins. They weren’t yet as well-integrated, or as graceful on the finish as I might have hoped for the $50 price. And though I realize that $50 is crazy cheap when compared to Lafite Rothschild, I’m not convinced that price is what most of us are looking to pay for an “every day” wine!

2015 Frank Family Vineyards Napa Valley Cabernet Sauvignon: “I love this wine, with its cassis and black raspberries,” said Marisa McCann, who handles sales and events at the winery. Please don’t give me tasting notes! Now all I’m smelling is cassis. Well, and a touch of mocha. It’s awfully appealing, I must admit. She said something about Disney and Pretty Woman, but I was too distracted by the wine’s opulent fruit leavened by super-sharp acids and spice, followed by plush mocha tannins. I love it. “That’s a quintessential Napa Cab,” a fellow blogger remarked. Yes. $58

Caleb Foster, winemaker of J. Bookwalter

2015 J. Bookwalter “Chapter 8” Cabernet Sauvignon: This Washington wine comes from vines planted in 1988, which apparently counts as an “old” vineyard. Good Lord! Bookwalter restricts the yield for its Chapter 8 to about one bottle per vine, ensuring impressive concentration. Most vines yield two or three bottles of wine. It smelled of mocha and green peppercorn, and tasted of fresh plum with dark chocolate. I loved the wine’s confident, slow development from fruit to green peppercorn spice and mocha tannins. What a joy! Concentrated, yes, but with real freshness to balance. Sensational. If you can spend $100 on a bottle of wine, you’ll get your money’s worth with this one.

2015 J. Christopher Dundee Hills “Volcanique” Pinot Noir: Dr. Loosen is most famous for its fantastic Mosel Rieslings, but it also partners Chateau Ste. Michelle in Washington and Dundee Hills in Oregon. And anything the Doctor has his hands on is bound to be good. Clifford Robben, CFO for Dr. Loosen USA poured this Pinot, which had a bright cherry, cough syrup aroma, leavened with a bit of dust and vanilla. (That’s a very enticing aroma, if you’re in doubt.) It’s a cherrypalooza to start with, moving to white pepper spice and some soft, supple tannins on the finish, with no sag in the middle, as sometimes can happen with lighter-bodied wines. Great balance, and I would certainly pay the $30 price.

2013 G. Cuneo Ripasso Red Wine: I had a little trouble hearing owner and winemaker Gino Cuneo, but I believe he said he dries the grapes for three and a half months on mats, before crushing them. Ah yes, he’s pouring a Walla Walla ripasso, similar in style to an Amarone! I am IN. This blend of Barbera, Sangiovese and Nebbiolo was quite a transparent ruby-red, and wow, it’s nimble, with big cherry fruit, bright and juicy sour-cherry acids, and supple tannins. It’s lighter and less raisiny than I would have expected, but nevertheless, it’s beautiful. A very good deal at $45 a bottle.

2016 Artesana Tannat Merlot Zinfandel: This winery is a project of three girlfriends, according to the presenter, who is foolishly trying to present two wines. In speed blogging, that immediately makes me hate you. This blend incorporates the first and only Zinfandel produced in Uruguay. It has a heady, dark red-fruit aroma, and it’s really lovely, but the chatter about the other wine is driving me crazy. It’s a full, ripe, tannic blend, with sparkling spice and acids keeping it balanced. I rather love it, especially at the $20 price — that’s a great deal. They should have just focused on this wine, since it’s so good. I’ve had mixed experiences with Uruguayan wines in the past, but if this bottling is any indication, they’re making some delicious stuff down there these days.

This list, especially when taken together with my companion list of whites, illustrates how absolutely delicious wines are being made in all sorts of unexpected places all over the globe. Nowadays, there is simply no reason to confine your drinking to wines from two or three classic regions.

You’ll note that nary a wine from France made the list below, for example. Everyone knows top Bordeaux and Burgundy taste great, and the prices reflect that fame. Taking a risk on something lesser-known can reap significant rewards, both in terms of saving money and broadening the palate.

The planet is encircled with tremendous wine-making talent. Fantastic wine makers can be found in just about every wine region on the map, and just as important, insightful wine growers are exploiting vineyard sites to their full potential, finding new terroir for classic grapes as well as resurrecting nearly forgotten ancient varieties rich in character and history.

We wine lovers have never had it better, whether we’re in California, Italy, Uruguay or British Columbia.  Cheers to the vintners in far-flung places taking risks on unorthodox wines, hoping that we’ll notice their beauty, and cheers to the importers, restaurants and wine shops courageous enough to work with them. My life is much the richer for it.

The most memorable reds I tasted in 2013, in alphabetical order:

ART+FARM “THE MESSENGER” RED WINE NUMBER ONE (LOT #612):

This is one complicated blend. No fewer than 11 different Californian wines made their way into the mix, including Cabernets from Lake County and Napa, Merlots from Napa and Sonoma, Malbecs from Napa and Dry Creek, Cabernet Franc from Napa and Montepulciano from the Shenandoah Valley.

After reading the list above, you might be wondering what a Montepulciano is doing in a blend that’s otherwise all standard Bordeaux varieties. According to winemaker Kat McDonald, just 12% of Montepulciano “completely changes the texture and color of this wine. As one of my fellow tasters astutely noted, “It’s dark, but not heavy.” I loved the aromas of mocha and dark fruit, and indeed, it tasted dark and dusky but lively as well, with well-balanced black-pepper spice. Paired with some dried blueberries, additional floral notes came to the fore, and the tannins became even more pronounced. This is one sexy blend, and a fantastic value at $18.

2009 CANTELE SALICE SALENTINO RISERVA:

According to The Sotheby’s Wine Encyclopedia, the best wines in Italy’s Salice Salentino DOC are its Negroamaro-based reds, and the Cantele certainly did not disappoint. This 100% Negroamaro had tight, powdery red-fruit aroma and ample fruit on the palate. I got a blast of cherries, and others in the group also tasted currants and raisins. Rich but bright, this full-bodied wine had well-balanced, rustic acids and some serious tannins on the finish. Binny’s sells this red beauty for $11,  which is a steal.

2008 D.H. LESCOMBES CABERNET FRANC:

This wine was crafted by viticulturalist Emmanuel Lescombes and winemakers Florent and Herve Lescombes under the umbrella of St. Clair Winery, New Mexico’s largest. I sampled their Cabernet Franc in St. Clair’s Albuquerque tasting room and bistro, but the grapes were grown near Deming along the border with Mexico, at an elevation of about 4,500 feet. What a delight — it had an aroma of rich raspberry jam, and dark fruit balanced by bright, broad acids. The wine resolved into some tannins and focused spice on the finish, without a hint of anything vegetal. This wine has the richness and power to justify its rather steep $36 price tag.

Lake Okanagan, British Columbia, Canada

2007 D’ANGELO SETTE COPPA:

This British Columbian blend contains all five of the classic Bordeaux varieties, grown on just eight acres of vineyards. It smells red and surprisingly minerally, and wow, that flavor. It has bright red fruit, focused acids, well-finessed tannins and some metallic earth on the finish. It’s a delight to drink, and a very fine value for $25.

2012 DOMAINE TERLATO & CHAPOUTIER SHIRAZ-VIOGNIER:

An appellation of the northern Rhône which never fails to quicken my heart is Côte Rôtie, which produces some of the world’s most coveted Syrah-based wines. These generally unaffordable wines were the inspiration for this Australian collaboration between Anthony Terlato and Rhône-based winemaker Michel Chapoutier. Together, they purchased some land north of Melbourne in the Pyrenees Hills, which is about as far from the Rhône as you can get. Nevertheless, the terroir must be similar, because this Côte Rôtie-style blend of 95% Shiraz (Syrah) and 5% Viognier is an absolute delight to drink. Shiraz, of course, is known to do very well in Australia, and it only makes sense that aromatic Viognier, another variety from the Rhône, would also flourish.

This wine had a startlingly beautiful aroma — jammy and redolent of violets. I loved its rich texture, extravagant fruit, and perfectly balanced spice and tannins. Gorgeously lush, without becoming overblown. Averaging about $17 according to Wine Searcher, this is one of the best red-wine values I’ve tasted all year.

2007 GEISEL WEINBAU BRENTANO “R” MARKELSHEIMER PROBSTBERG MERLOT TROCKEN:

I had a devil of a time finding a website for this single-vineyard Merlot (Markelsheimer Probstberg is the vineyard name), but I have a sneaking suspicion it’s produced by the same Geisel family which owns the hotel where I tried it, the Königshof in Munich. The restaurant’s adventurous sommelier, Stephane Thuriot, selected this wine from northern Württemberg in Germany to pair with a main course of rabbit with artichokes, spinach and saffron, and it was startlingly delicious. I knew I was in for a treat when I gave the wine a first sniff, enjoying the aroma of ripe red fruit and earth. It had a velvety texture, rich fruit and big but firmly controlled spice. Absolutely excellent.

2009 PALUMBO FAMILY VINEYARDS SANGIOVESE “DUE FIGLI” VINEYARD:

Matt and Joe at Palumbo

On a quiet side road away from the big wineries in Temecula, this winery was recommended by almost every local I spoke with. All the fruit for its wines comes from Palumbo’s 13 acres of vineyards, because owner Nicholas Palumbo “believes in producing only what he grows himself,” according to the winery website.

This single-vineyard Sangiovese was brick-red, with an earthy, jammy nose that had me itching to give this wine a taste. I was not disappointed. It was wonderfully lush, with jammy fruit, a luxurious mouthfeel and a tannic finish. Temecula is on few people’s fine-wine radar, but if it can produce wines like this Sangiovese, it’s a region worth keeping an eye on.

2005 PISANO “ETXE ONEKO” LICOR DE TANNAT:

The Sotheby’s Wine Encyclopedia speaks very highly of the Pisano winery, noting that Eduardo Pisano “has produced some of Uruguay’s best wines in recent years.” I also discovered that this particular Licor de Tannat, a fortified wine made in the manner of port, merited inclusion in The World Atlas of Wine. The original Tannat vines in Uruguay, called “Harriague” by the Basque settlers who brought them, almost all died off over the years. “However,” the Atlas notes, “Gabriel Pisano, a member of the youngest generation of this winemaking family, has developed a liqueur Tannat of rare intensity from surviving old-vine Harriague.” This wine (the name of which means “from the house of a good family” or “the best of the house,” according to Daniel Pisano) blew me away with its richly sweet, jammy fruit and impressively balanced acids. These were followed, as you might expect, by a big bang of tannins. Not only is this wine spectacularly delicious, it’s a taste of history. If you see it on your wine store’s shelf, it’s worth the splurge.

2010 RUST EN VREDE ESTATE:

This Stellenbosch estate in the shadow of the Helderberg has produced wine off and on for three centuries, though it took its present form only after 1977, when the Engelbrecht family purchased and restored it. The Rust en Vrede Estate wine blends Cabernet Sauvignon, Syrah and Merlot in a “hermitaged” style of wine popular in Bordeaux in the 19th century, when producers would sometimes beef up their blends with Syrah from the Rhône’s Hermitage region.

The deep red-fruit aroma was very enticing, marked by additional meaty and floral notes (a fellow taster at the table also detected “man musk,” which led Jean Engelbrecht to half-joke that she was forbidden from sampling any more of his wines). I loved the wine’s silky texture, rich red fruit, firmly controlled white-pepper spice and raisiny finish. The Estate felt very supple, yet it still cut right through the richness of my beef filet. I lamented that I hadn’t tried it with my appetizer of mussels, but Engelbrecht assured me I hadn’t missed anything: “I’m more of a main course kind of wine,” he quipped. But I was rather startled to discover that the Estate also paired well with a side of roasted asparagus, a notoriously difficult vegetable to match.

2007 SKOURAS GRAND CUVÉE NEMEA:

The Sotheby’s Wine Encyclopedia calls Greece’s Nemea appellation “relatively reliable,” and the Skouros Agiorgitiko I tasted at the Wine Bloggers Conference more than supports that rather tepid assertion. It was memorably delicious, with a beautiful aroma of tobacco and cherries, plenty of bright acids, ample fruit and luscious notes of mocha. Anyone who still thinks Greece is nothing but a sea of Retsina should taste this.

And this concludes my awards for 2013! You can read about my picks for top white wines here, and my favorite spirits and cocktails here. Happy New Year, everyone!

Last year, I assembled all my favorites into one list, but because 2013 brought so many memorable wines I wanted to highlight, I had to separate them into top whites and top reds. Many of my favorite white wines of 2013 cost less than $20, and one can be had for less than $10 — yet more evidence that taking a risk on an unusual bottle can really pay off.

The 10 wines below represent a tiny taste of what’s out there beyond the giant industrial-sized brands found in every grocery store. These are wines with heart. They have to be, since most of the companies making these wines have minimal marketing budgets. 

I chose whites that surprised me one way or another, and whites that exhibited impressive balance. When a wine’s fruit, acids and other flavors are tautly in balance, it can be an absolutely thrilling experience. Don’t settle for white wines that are simply sweet and innocuous. There are too many beautifully lively bottles out there to waste your time with anything that doesn’t make you sit up and take notice.

You may not find all the wines below with ease, but if you see one that sounds particularly enticing, bring the description to your local wine shop and ask for something similar. A good wine shop will send you in the right direction.

And now, in alphabetical order, the most memorable white wines I tried in 2013:

ART+FARM “THE MESSENGER” WHITE WINE NUMBER ONE (LOT #412):

I’ve never seen a white blend quite like this one, but when I tasted it, I wondered why on earth no one thought of it before. A blend of 69% Sauvignon Blanc, 18% Muscat Canelli (also known as Muscat Blanc à Petit Grains or simply Muscat) and 13% Riesling, this beauty won over my entire crowd of tasters. One remarked, “I don’t usually like sweet wines, but I like this because it has a bite at the end.” Another more laconic taster just said, “Huge fan.”

I was immediately sucked in by the wine’s heady aroma of perfumed apples, leavened with a little funk. In this wine, it was crystal clear to me what each of the parts — sourced from both the 2010 and 2011 vintages — brought to the blend. It had the acids of a Sauvignon Blanc, the perfume of a Muscat and the lush texture of a Riesling. The wine exhibited both focus and restraint, and for $16 a bottle, it’s a smashing value.

2012 BOUZA ALBARINO:

The family-owned Bodega Bouza in Uruguay focuses on small production and low yields, according to its website. The Spanish Albariño grape variety has thick skins which help it withstand rot in humid climates, according to the Oxford Companion, which would seem to make Albariño an ideal choice for Uruguay. And indeed, I very much enjoyed this wine’s fresh and spicy aroma and its sharp, attention-grabbing flavors. After a start of juicy fruit, zesty acids kicked in, followed by a thrust of gingery spice and a finish of aspirin-like minerals. Powerful and exciting.

2012 LAPOSTOLLE “CASA GRAND SELECTION” SAUVIGNON BLANC:

The grapes for this wine come from the stony Las Kuras Vineyard in Chile’s Cachapoal Valley (south of Santiago), a former riverbed, and the vineyards are certified as both organic and biodynamic. Winemaker Andrea León Iriarte also noted that the grapes are harvested by hand at night, to help preserve freshness in the fruit.

The aroma was very reassuring, the rich lime and chalk notes already indicating a wine of fine balance. Iriarte and Lapostolle sought a round Sauvignon Blanc, in contrast to the sharp wines this variety sometimes produces. They succeeded. This Sauvignon Blanc had creamy fruit and focused, limey acids kept well in check. After a lift of white-pepper spice, the stone in the vineyards became apparent in the long finish. Complex and delicious.

What leaves me practically cross-eyed with disbelief is that this wine, which exhibits no small amount of finesse, can be had for less than $10 at Binny’s. It could stand toe-to-toe with Sancerres which cost more than twice as much. I can’t think of a better Sauvignon Blanc value to be had anywhere.

2008 CHIMNEY ROCK “ELEVAGE BLANC”:

I don’t often write about wines from Napa Valley, but this blend of Sauvignon Blanc and Sauvignon Gris blew me away. I couldn’t remember ever tasting a Sauvignon Gris, so I looked it up in my trusty Oxford Companion to Wine. This relatively rare variety is a pink-skinned mutation of Sauvignon Blanc, and “it can produce more substantial wines than many a Sauvignon Blanc,” the Companion asserts. Sauvignon Gris has a following in Bordeaux, the Companion goes on to note, which perhaps explains why the Elevage Blanc reminded me a bit of Pessac-Léognan, one of my favorite whites from Bordeaux (or from anywhere, for that matter). This beautiful wine practically glowed with elegance, its creamy fruit focusing into some carefully restrained white-pepper spice. Voluptuous but perfectly balanced — a joy to drink.

2010 HAINLE VINEYARDS ESTATE WINERY GEWÜRZTRAMINER ICE WINE: 

It’s rare to see a Gewürztraminer ice wine, I learned, because the fruit usually falls off the vine before the first frost, or at the very least loses its acidity. Conditions have to be just right, and with this British Columbian ice wine, Hainle hit a smashing home run. It had a rich but fresh honeysuckle aroma, and such verve on the palate! It started lush and sweet, as you might expect, but then startlingly zesty acids kicked in, followed by a pop of white-pepper spice. On the finish, I got a touch of orange along with an aromatic tobacco note. It was sublime. If you can find a way to get your hands on a bottle of this wine, for God’s sake, do it.

2011 MAZZONI PINOT GRIGIO:

I had never sampled, to my knowledge, a Tuscan Pinot Grigio. All the quality Italian Pinot Grigios I knew of came from the mountainous north, from Alto Adige or Friuli. A Tuscan Pinot Grigio varietal — a white Super Tuscan — is extremely unusual.

Many of us associate Pinot Grigio with light, inoffensive and bland flavors; it’s a wine for a hot summer pool party or a beach picnic. But this golden-hued beauty had some oomph. After pressing, the juice sits for 24 hours on the skins, giving the wine additional body, followed by 25 days of cold fermentation, increasing the wine’s acidity. The craftsmanship is readily apparent in both the aroma and flavor.

The wine smelled fresh and lively, like a green whiff of spring. On the palate, it exhibited focused and controlled fruit, prickly acids, some aromatic qualities, and a surprisingly lush finish. It was light but complex, and a fine value for the price. Sampled with a white pizza topped with arugula and parmesan, the food-friendly acids kicked into high gear, and the wine became juicier and rounder. A delight.

2010 PLANETA CARRICANTE:

The Carricante variety is “thought to have been growing on the volcanic slopes of Mt. Etna for at least a thousand years,” according to the Wine Searcher website. The Planeta expression of this ancient variety has a wonderfully seductive aroma with notes of honey, cedar and lily of the valley, one of my favorite flowers (a little like jasmine). A fellow taster remarked that “It smells like the best Kasugai gummy ever created.” I loved the lush fruit, flinty minerals and the focused, almost incense-like spice that just kept going and going. Paired with some pasta with orange cherry tomatoes, fresh fava beans, onions, olive oil, garlic and ground pork, the wine’s acids became even juicier and racier.

It was rich, complex, balanced and elegant, but even more impressive, the wine took me right back to Sicily. I could imagine myself at some trattoria in Taormina, sipping a glass at an outdoor table while I took in the view of Mt. Etna and the sea, a little incense wafting out of a nearby church. This was a wine truly expressive of its terroir.

2011 SCHNAITMANN “GRAU WEISS”:

A surprising blend of 20% Grauburgunder, 20% Weissburgunder and 60% Chardonnay, the Grau Weiss sounds a little crazy to me, but if anyone could get away with it, it would be a winery in the warm and sunny Baden-Württemberg region of Germany. A green-yellow color, the wine started with tart fruit, giving way to a buttery, sophisticated, almost Burgundian midsection. It sealed the deal by lifting into an aromatic, spicy finish. What a ride!

2012 SIMONNET-FEBVRE SAINT-BRIS SAUVIGNON BLANC:

On its label, this Sauvignon Blanc declares itself in no uncertain terms to be a “Grand Vin de Bourgogne.” Not quite believing my eyes, I turned to my trusty reference library for some answers as to what a Sauvignon Blanc was doing in Burgundy. According to The Sotheby’s Wine Encyclopedia, little Saint-Bris overcame “Burgundy’s Chardonnay-chauvinism” only in 2003, when it was finally granted full AOC status, a designation retroactively applied to the 2001 and 2002 vintages as well. The AOC has only about 250 acres of vineyards located southwest of the famed wine town of Chablis.

The Simonnet-Febvre Saint-Bris had my undivided attention as soon as I took a sniff. It had the classic Sauvignon Blanc aroma — green and juicy, with an unexpected and very enticing floral note on top. The flavor profile was absolutely fascinating. On one plane flowed the wine’s sweet, floral and elegant fruit, and on a parallel plane ran the very tart, pointy acids. These two planes battled it out for dominance in a most exciting fashion, but they didn’t feel integrated until I tried the wine with some food. Paired with a barley risotto studded with butternut squash, Brussels sprouts and bacon, the Saint-Bris’ two planes came together beautifully, balancing each other and cutting right through the richness of the dish. What an incredible value for $12!

2012 WEINGUT DR. VON BASSERMAN-JORDAN ÖLBERG: 

This single-vineyard Riesling from Germany’s Pfalz region is a Grosses Gewächs, a “Great Growth,” indicated by the “GG” on the label. Find those GGs if you can — they designate a vineyard of top quality, and grapes of at least Spätlese ripeness. “Spätlese” often connotes a sweet wine, but GG wines are classified as “trocken” (dry). This remarkable wine had a green, honeyed aroma, rather like a light Sauternes. I loved the rich, peachy fruit; the dry, white-peppercorn spice; and the forcefully driving acids keeping everything in taught balance.