Sauvignon Blanc

Get Out Of Your Wine Rut

30 March 2019
Comments Off on Get Out Of Your Wine Rut

Looking at the number of grape varieties about which I’ve written — I count some 146 — it seems almost unbelievable that I could find myself in a wine rut, but it happens even to me. It’s easy to pop into my favorite wine store, grab a couple of my standard bottles and scoot, without giving the new items on the shelf much thought. My current go-to wines may sound rather exotic — Félicette Grenache Blanc and Ivanović Prokupac, for example — but I’ve bought dozens and dozens of bottles of each. They’re not exotic to me, they’re just comfort wines.

There’s nothing wrong with comfort wines, of course, but I have a feeling that if you’re reading this blog, you’re interested in escaping whatever sort of wine rut you’re in and tasting something new. The problem, I realize, is that unless you’re a regular reader of this blog, you’ll have a hard time homing in on the wine that’s right for you. Let’s say you like light and bright Pinot Grigio, but you’re ready to try something else. Are you supposed to look at the list of 146 grape varieties on the right side of this page, and hope that the one you choose to read about will suit you? How would you guess that I would suggest trying, say, Verdicchio, which isn’t even on the list? There’s no way to get there from here.

In fact, most blogs aren’t set up to help people with that sort of dilemma. So on a recent episode of Name That Wine, Liz and I decided to address that problem. We talk about several popular grape varieties, including Sauvignon Blanc, Chardonnay, Merlot and Cabernet Sauvignon, among others, and suggest alternatives that will likely give you the same satisfaction:

Now I just have to figure out what a good substitute for Prokupac is…

Malagousia And Other Greek Wine (Re)Discoveries

1 April 2018
Comments Off on Malagousia And Other Greek Wine (Re)Discoveries

At a recent tasting of Greek wines, I had expected the bottlings from Santorini to be some of the biggest stars. I’ve long loved the sunny whites from this volcanic Aegean Island, where most vines are trained into unusual basket shapes to protect them from the wind. Accompanied by Liz Barrett, who cohosts Name That Wine with me, I made a beeline for the Santorini table.

Indeed, I quite liked some of the Santorini wines — I’m always up for a good Assyrtiko, which often has ripe fruit, brightly lemony acids and a minerally finish. But the biggest surprise came at a table on the opposite side of the room, where winemaker Evangelos Gerovassiliou was pouring.

Gerovassiliou’s winery stands near the coast south of Thessaloniki, in the north of mainland Greece. My World Atlas of Wine considers this general region to be “red wine country,” but Gerovassiliou is famous for rescuing what is now one of Greece’s best-known white grape varieties: Malagousia. As he poured us tastes of his 2016 Single-Vineyard Malagousia, he told us how in the 1970s, he had been working with a University of Thessaloniki ampelographer, Professor Vassilis Logothetis. Logothetis found some Malagousia vines, planted them in his experimental vineyard and showed them to Gerovassiliou, who was working at a nearby winery as an oenologist.

Evangelos Gerovassiliou

Gerovassiliou recognized the vines’ potential, and his success with the nearly extinct grape drew the attention of other winemakers. Now numerous wineries in Greece work with Malagousia, which “yields full-bodied, perfumed wines in many Greek regions,” according to The Oxford Companion to Wine. Gerovassiliou’s Malagousia certainly fit that description, with notes of ripe stone fruit, honey, orange flower and mango in the aroma. Yet it tasted spicy, clean and fresh, enhanced by zesty acids. A delight.

But Gerovassiliou is no one-trick pony. Each of the wines he poured us proved delicious:

2016 Gerovassiliou Fumé Sauvignon Blanc: Some New Zealand Sauvignon Blancs slap you in the face with grass and grapefruit. Those notes were in this wine too, but it had a lighter, subtler touch. Well-integrated and well-balanced. Retsina this is not! ~$30

2016 Gerovassiliou Viognier: Viogniers can sometimes feel ponderous, but this version had a bright, almost soapy aroma with a hint of cream, and a mouthfeel that seemed almost ethereal. A hint of butter kept the exotic fruit flavors and light spice grounded. ~$21

2015 Gerovassiliou Chardonnay: I loved the aroma of fresh butter and light wood. The fruit felt rich and lush but not heavy, lifted up by focused acids and spice. And whenever there’s a note of buttered popcorn in a Chardonnay, as in this one, I end up thoroughly seduced. ~$32

2015 Gerovassiliou Estate Red: This blend of 70% Syrah, 15% Merlot and 15% Limnio smelled of currants and vanilla. Rich, ripe fruit was blasted aside by an explosion of spice, followed by some cleansing (and not unpleasant) bitterness on the finish. Bracing and lively. ~$20

2013 Gerovassiliou “Avaton”: Here’s a blend I suspect you haven’t tried before: 50% Limnio, 25% Mavrotragano and 20% Mavroudi. Limnio, Gerovassiliou told us, is the oldest documented Greek grape variety, mentioned by Aristophanes in the 5th century B.C. Mavrotragano is an “increasingly appreciated” red grape indigenous to Santorini, according to an unusually brief description in the Oxford Companion to Wine. The book is even more laconic about Mavroudi: “generic name for several Greek grape varieties,” is the entirety of the entry. (You can read more about Mavrotragano here and Maroudi here.) I wrote in my notes that this blend “smells expensive,” with rich red fruit and some oak. Full of sumptuously ripe fruit, the wine was so graceful and delicate, it felt as if it hovered just above my palate, like some sort of wine ghost (quite surprising, considering the 14% alcohol content). I rather loved it. ~$40

2013 Gerovassiliou “Evangelo”: A Rhône-style blend of 92% Syrah and 8% Viognier, this dark beauty had a dusky, plummy aroma with notes of raisins and chocolate. I tasted it, and wow. It felt lithe and elegant, moving with slow power from prune-like fruit to focused spice to fine-grained tannins. Absolutely gorgeous. ~$65

2012 Gerovassiliou Late-Harvest Malagousia: Gerovassiliou makes this wine only in vintages when the conditions are right. I really loved it. It smelled enticingly of peach crumble and honeysuckle, and though it had sweet honey notes, the wine was quite light on its feet, leavened by green peppercorn spice, cardamom and lively acids. What a joy. ~$30

Too often in wine shops, Greek wines are shunted off in a corner along with various Eastern European oddities (and many of those deserve better as well). Yet Greece’s winemaking traditions go back thousands of years, and contemporary winemakers are making world-class wines that any sommelier should be proud to pour. Ask your wineshop for a recommendation. And if you happen to find a bottle by Ktima Gerovassiliou, don’t hesitate to snap it up. Anything by that winery is sure to be a pleasure.

Sauternes: It’s What’s For Breakfast

28 April 2017

Everyone agrees that we should all be drinking more Sauternes. The World Atlas of Wine calls it “lamentably underappreciated but incomparable,” and The Oxford Companion to Wine argues that “it remains underpriced in relation to the enormous pleasure it brings to those growing numbers of wine lovers who find a fine Sauternes has an undeniable place on the dinner table.”

Alas, Sauternes is the gym membership of wine. We all think it’s a great idea, but too few of us actually take advantage of it.

For perhaps the first time in my life, I attended a dinner where the Sauternes truly flowed: at the charming Auberge les Vignes in the village of Sauternes itself. Over some exquisite foie gras and sensationally flavorful duck breast that had been grilled in the restaurant’s fireplace, the six of us who won the 2017 Millésima Wine Blog Awards discussed Bordeaux’s famous sweet wine with Pierre Montégut, the Technical Director of Château Suduiraut.

Auberge les Vignes

“People tell me all the time that they love Sauternes, and that they don’t understand why people don’t drink more of it,” he said. “Then I ask them, how many bottles of Sauternes do you drink in a month? Or in a year?” If people manage two or three bottles a year, they’re at the top end of the curve, unfortunately. I’m ashamed to admit that I probably average only a bottle a year myself.

What makes Sauternes so special, anyway? In a word: rot. The vineyards of Sauternes (and neighboring Barsac) grow near the confluence of the Garonne and Ciron rivers. Starting in the early autumn, the Garonne is warm enough so that when the cool spring-fed waters of the Ciron flow into it, the temperature difference causes evening mists. The fog creates conditions ideal for the development of Botrytis cinerea, or Noble Rot. This mold looks ugly but it is vital to Sauternes.

The vineyards of Château Suduiraut abut forest and the vineyards of Château d’Yquem

Noble Rot causes minuscule holes in the skins of the grape, encouraging water inside to evaporate, concentrating the remaining juice. But simple concentration isn’t enough — that only sweetens the wine. The mold also chemically alters the juice, usually Sémillon and Sauvignon Blanc, adding important complexity and aroma. Unfortunately, the mold does not affect all the grapes at once, and the best châteaux harvest multiple times, sometimes going so far as to select berries individually in the vineyard.

When it works, the wine is sweet, yes, but it also has an almost startling liveliness, with big but focused acidity and a shaft of spice, in addition to flavors such as green tobacco, mint, oak, orange, saffron and jasmine combining with the honeyed richness. It’s one of the most sensual wines I can think of. The combination of sweetness, acidity and freshness is one of the wine world’s most compelling.

Agnes Nemeth and the Head Sommelier of the InterContinental Bordeaux – Le Grand Hotel

Why do we deny ourselves the pleasures of Sauternes? Well, dessert wine just isn’t a thing in the United States, for starters. I have yet to attend a dinner party in Chicago in which a friend presented a wine to pair with dessert (or a dessert wine as dessert), and people don’t think to order it in restaurants, either. And it’s not just Americans. Even in the city of Bordeaux, the Head Sommelier of the restaurants in the InterContinental Bordeaux – Le Grand Hotel said that she rarely sells Sauternes. People might order a glass from time to time, but it was highly unusual for a table to order a bottle.

On my visit, what we’re missing by ignoring Sauternes became painfully clear. First, let’s start with something inexpensive and relatively easy to find: the 2013 Lions de Suduiraut, a new Sauternes developed by Suduiraut to emphasize freshness and minerality, which you can open immediately with no decanting, according to Montégut. The flavor started on a rich and honeyed note, but a wave of sharp ginger spice swept in, along with bright, orangey acids. The finish was fresh and spicy, not sweet. It’s absolutely delicious, rather sexy, and a screaming value at just $13 for a half-bottle.

Pierre Montégut, Technical Director of Château Suduiraut

What about something a little older and more expensive? We did an unforgettable vertical tasting (trying several different vintages of the same wine) at Château Suduiraut, one of which was the 2009. Its aroma had more to it than the Lions’ did, with heady honeysuckle, tropical fruit and some spiciness. The flavor kept changing and flowing — honey, orange, cardamom, hay — and all the notes felt beautifully integrated and refined. Fellow Millésima blog award-winner Agnes Nemeth of Hungarian Wines remarked, “I would really use this as a perfume.” Binny’s sells this wine for $45 for a half-bottle, an excellent value considering the quality. Even better, buy a magnum of it from Millésima for $190 and throw a party.

Sauternes, though white, can age just as well as any red, especially in the good years. Consider the 1997 Château Suduiraut, which had an aroma redolent of honey and something savory as well. It tasted of overripe apricot and dark honey, which moved into toffee/caramel country. Deep and dark orange acids, along with some spiciness and a touch of something smokey, assured balance. Gorgeous and complex.

To hammer home the point, Montégut also presented us with a bottle of 1975 Château Suduiraut to have with dessert at the Auberge les Vignes. This wine is older than I am, and yet it still feels lively. The aroma had an almost startling freshness to it. And I felt thoroughly seduced by the flavors of dark honey, green tobacco, dark orange and honeysuckle. The acids and spice were more than up to the task of balancing the sweetness. This unforgettable wine can be had for $80 to $100, according to Wine Searcher. That’s insane. I’m tempted to buy a bottle before I finish writing this post.

The 1975 Château Suduiraut caused quite a stir at the Auberge les Vignes!

We also had the chance to try numerous Sauternes en primeur, which means that we sampled the latest vintage, 2016, well before bottling, in order to try to determine the vintage’s quality. According to Montégut, Sauternes this young should display balance, freshness, and energy on the finish, if they’re to attain greatness.

I think the 2016 vintage should be quite fine, even though the Noble Rot arrived only in the last half of October. The 2016 Bastor-Lamontagne had more citrus to it than honey, with ginger spice and a dry finish. Château Guiraud took things a step further, balancing its dark honey flavors with deep orangey acids and a surprising blast of eucalyptus freshness. Lafaurie-Peyraguey offered stone fruit, incense and more of that eye-opening eucalyptus. And then there was the Sigalas-Rabaud, which kept itself taut as it moved through flavors of honey and peach, ending with such freshness that I felt as if I’d just popped a breath mint. Wow.

Jeff Burrows and Lisa Denning at our vertical tasting at Château Suduiraut

Which brings me to breakfast. We started our vertical tasting of Château Suduiraut at 9:30 a.m., at the end of a long week of château hopping. The week was a joy, to be sure, but exhausting. That tasting at Suduiraut perked me up far more than the pot of coffee I’d had earlier. The wines — we sampled ten of them — felt positively invigorating. Each one made me feel more and more energized, even aroused.

At brunch, we Americans tend to drink only two alcoholic beverages: Bloody Marys and sparkling wine. Why not Sauternes? I wrote in my notebook, “These would be amazing with some chicken and waffles!” Or pancakes and sausages. It’s an ideal breakfast wine. And because Sauternes is sweet and spicy, it also would work well with a range of Asian foods. If you think of sweet wines as simple and heavy, you’re not thinking of Sauternes. Instead, think rich, racy, complex and fresh.

Rare is the wine which will please absolutely everyone, from the most amateur wine drinker to the most jaded connoisseur. Sauternes is one of those wines.

For more about Sauternes and some fantastic photos of the vertical tasting at Château Suduiraut, check out this post by fellow award-winner Jeff Burrows of FoodWineClick, or this post for more photos of the village itself.

Award-winner Chiara Bassi of Perlage Suite also wrote about Sauternes, posting about our dinner at Auberges les Vignes here. She also wrote about our 2016 en primeur Sauternes tasting here, including detailed tasting notes about 19 different wines.

And on my blog, you can learn more about the 2011 vintage and why Sauternes is Bordeaux’s Most Underpriced Wine.

Note: These wine samples were all provided free of charge.

The Not Very Odd Wines Of Chris Hanna

12 September 2015
Comments Off on The Not Very Odd Wines Of Chris Hanna
Chris Hanna

Chris Hanna

I’m going to take a post and write about some wines that are neither obscure nor especially unusual, and it’s for a very important reason. In fact, it’s for the most important reason to drink a wine. More on that in a moment.

Chris Hanna, the engaging president of Hanna Winery & Vineyards, recently hosted a wine tasting and dinner at Ravinia, one of Chicagoland’s loveliest outdoor concert venues. The torrential downpour we suffered throughout the event must have come as a bit of a shock to this Sonoma winemaker and cookbook author accustomed to drought conditions in California.

The worrisome drought was the topic of the audience’s first question for Hanna. Fortunately, the dry conditions haven’t caused her vineyards to shrivel. “The premium wine grape crop is of such value,” she explained, “they’re not going to cut off our water. Yet. If we have one more year [of drought], we may have to meter,” she added in a slightly more ominous tone. But at least for this vintage, Napa and Sonoma wine lovers have no need to panic, she reassured us.

Hanna made her first vintage of wine “at the tender age of 12,” when her family had 12 acres of vines in the Russian River Valley, which, at the time, “were in the middle of nowhere.” She expanded Hanna Winery’s holdings to 600 acres today, split among vineyards in the Russian River Valley, the warmer Alexander Valley farther to the north and farther from the cooling influence of the Pacific, and the high-elevation Mayacamas Mountains yet farther inland.

Hanna Winery wines at RaviniaHanna’s early winemaking start now pays hefty dividends. Her 2014 Russian River Valley Sauvignon Blanc, for example, gets everything right. Hanna notes that in Sonoma, “high-tone flavors don’t get baked out by the sun,” and she maximizes the Sauvignon Blanc’s inherent freshness by picking the grapes at night and fermenting in stainless steel. The wine had that zesty, grassy, minerally aroma I love in a Sauvignon Blanc. It tasted focused and bright, with lively grapefruity acids and edges rounded by a bit of malolactic fermentation. It sliced through some rich Boucheron cheese like a knife. An excellent value for $19 a bottle.

The 2013 Russian River Valley Chardonnay displayed similar attention to balance. I’ve frequently hear from people scarred by butter bombs that they don’t care for California Chardonnay, or even any Chardonnay at all. I can empathize — I once had a harrowing experience with some Toasted Head. And indeed, this Chardonnay has some wood and butter to it, imparted by aging in French oak barrels and malolactic fermentation. But this wine exhibited beautiful balance, with ripely peachy fruit and broad, lively acids. The Chardonnay felt fresh in spite of its oak and butter notes, and I loved it. A fine splurge for $29.

The finesse of the 2013 Alexander Cabernet Sauvignon impressed me, too. Actually a Bordeaux-style blend of 77% Cabernet, 17% Malbec and 6% Merlot, this wine undergoes a hot and fast fermentation (slow and cool is more common) to avoid harsh, dry tannins. And indeed those tannins were supple, especially considering the wine’s youth. It had a delightfully rich, jammy aroma; big, cool fruit and a shot of black pepper spice. It’s not inexpensive at $42, but this wine has the power and grace to back up that price tag.

Unexpectedly, my favorite of the evening was the 2013 Bismark Mountain Vineyard Zinfandel. Hanna “challenged [herself] to become a Zin believer” and worked hard to create a Zinfandel vineyard on a steep and rocky slope of the Mayacamas Mountains. Although a pain for humans to work, such terrain tends to work beautifully for wine. Grape clusters in this vineyard are tiny, Hanna explained, which means she can get “so much extraction that you Chris Hanna at dinner in Ravinianever get on flat ground.” Indeed, the wine was dark, and it smelled of dusky dried black fruit. Zinfandels can all too easily become overly jammy and ponderous, but this one started cool and clean, moving from big fruit to big spice to some refined tannins on the finish. Something savory underneath added complexity. I don’t drink much Zinfandel, I must admit, but if I could spend $64 on a bottle, I wouldn’t hesitate to choose this one.

It was a delight to taste these wines both alone and with a delicious al fresco dinner, during which their acids helped them work well with a range of different foods.

Which brings me to why, as Odd Bacchus, I would write about these wines at all. To be honest, it’s because I wanted to. I love drinking the unusual and obscure, obviously, but it seemed unnecessarily doctrinaire to deny myself the pleasure of these expertly crafted Sonoma wines.

Wine should always be a pleasure, and I can’t think of a more valid, compelling reason to choose a particular bottle than simply “because I wanted to.” Maybe you’re drinking Chardonnay when you “should” be drinking Malbec. Or maybe you’re drinking, ahem, Sonoma Zinfandel when you should be drinking Slovak Dunaj. But life is too short to shame yourself about the wine you want to drink. “Because I want to” is all the justification you need.

Note: These wines and the accompanying dinner were provided free of charge.

Next Page »