Monthly Archives: August 2013

On a cool late-summer evening, is there anything more romantic than popping open a bottle of fine sparkling rosé? I love sparkling rosés, and I don’t drink nearly enough of them. It was with some excitement, then, that I discovered a bottle of sparkling rosé not from Champagne (which can be ruinously expensive), but from Austria.

This little central European country is known by American wine drinkers, if at all, for its zippy and food-friendly Grüner Veltliners, not its sparklers. Upon further inspection, I noticed that this bubbly was a blend of Pinot Noir (commonly used in Champagne) and Zweigelt (most definitely not used in Champagne). How could I resist? I snapped up a bottle of the 2012 Weingut Huber “Hugo” Sparkling Rosé.

I could find little general information about Austrian sparkling wine in any of my wine books. It was usually but a footnote, and The Sotheby’s Wine Encyclopedia was positively dismissive. Here is its summary, in full, of the state of Austrian bubbly: “Austria’s best-known sparkling wine is the bottle-fermented Schlumberge, produced in Vienna, but it seldom exceeds in quality.” Well, I must respectfully disagree — the Austrian sparkler I see most often is Szigeti‘s sparkling Grüner Veltliner, which is actually quite delicious.

Zweigelt, also known as Blauer Zweigelt, is one of the most popular red varieties in Austria, a country which does indeed make delicious red wines (for more about Austrian reds, see this post and this post). This popularity belies Zweigelt’s relative youth — this cross between St. Laurent and Blaufränkisch was created less than a century ago, in 1922. Capable of “serious, age-worth wine” according to The Oxford Companion to Wine, Zweigelt can now be found in every wine region of Austria.

Huber’s Hugo, a blend of Zweigelt and Pinot Noir (the wine’s fact sheet omits the proportions) comes from the Traisental, a wine region of just 1,730 acres straddling the Traisen River. The soil of the vineyards here is a limestone mix, according to the Huber website, which made me think of the chalky soil of Champagne — an encouraging parallel.

Even so, I didn’t get all that much minerality out of the Hugo Sparkling Rosé. It had aromas of berries, wood and yeast, deliciously juicy acids, and a dry finish with strawberry notes. Although this wine was not bottle-fermented, the ample bubbles felt impressively small — even pointy. Paired with a decidedly un-Austrian chicken burger, the juicy acids felt broader and more orangey, and the strawberry notes became clearer. Not too shabby for a $15 bottle of bubbly.

Austrian sparkling wine may have long been rather dire, but if the Hugo and the Szigeti are any indication, I’d say Austrian bubbly is worth another look.

I still remember the first time I tried a Pinot Blanc. Some fellow students and I biked across the Rhein from Breisach, Germany, to Colmar in France’s Alsace region. After seeing Grünewald’s startlingly expressive and distressing Isenheim Altarpiece, we made our way to a grocery store, which, to our delight, was hosting a wine tasting. I tried a Wolfberger Pinot Blanc, among others, and was immediately hooked. We bought some bottles and sat down to consume them on the lawn in the square in front of the Unterlinden Museum. As we drank our wine and became a little tipsy, we decided it would be smart to (rather loudly) sing German songs. That way, no one would guess it was a group of Americans getting drunk in public and making a spectacle of themselves. We surely had everyone fooled.

Since then, I’ve rarely passed up the opportunity to try an Alsatian Pinot Blanc or a Weissburgunder (the German synonym for Pinot Blanc). But I’ve had very few domestic examples, most likely because, as The Oxford Companion to Wine notes, aside from about 700 acres in California, “Elsewhere in the New World, Pinot Blanc is largely ignored in favor of the most famous white wine grape.” (That would be Chardonnay.)

It was quite the treat, then, to receive a complimentary sample of  2012 Youngberg Hill Pinot Blanc from Oregon’s Willamette Valley. I’d never tasted an Oregon Pinot Blanc before, and I couldn’t wait to give it a try. Surely Pinot Blanc, which flourishes in the rather cloudy and cool Alsace region, could also flourish in Oregon the way Pinot Noir has. The bottle did not sit long in my rack.

I did give myself a little time to read the press kit of the winery, and I was very pleased with what I discovered. The winery farms the Youngberg Hill vineyard, which is located just 25 miles from the coast, in organic and biodynamic fashion. Indeed, owner Wayne Bailey claims to go “beyond biodynamic,” working the land in a “seriously organic, holistic” manner. Healthier grapes make better wine, according to Bailey, and who could argue with that? In addition, the vineyard site seems primed to make excellent wine. Its proximity to the coast, according to the press kit, paradoxically provides it more rainfall than the rest of the valley as well as more sunny days during the summer season.

The care Mr. Bailey takes with his vineyard pays off in the bottle. This Pinot Blanc could go toe to toe with just about any from the Alsace. It smelled “fruity and floral” and “crisp and clean,” as two fellow tasters noted, and I detected some pear, apple, and even a little earthy funk  in the aroma (that’s a good thing). It tasted fruity, with a lush texture balanced by zesty acids which gave way to some focused gingery spice. It left me with a chalky aftertaste in the back of my throat, completing a most pleasant journey. Not at all a bad value for $20 a bottle.

The Alsace has a reputation for making the best Pinot Blanc in the world, but as this wine demonstrates, Oregon could give it some serious competition.

Note: This wine was a complimentary sample.

Over the years of writing this blog, I’ve tasted a lot of unusual wines and spirits, but I can’t recall ever finding a wine made from a variety which does not appear in my 2006 edition of The Oxford Companion to Wine. If a grape isn’t listed in that weighty tome, it must be seriously obscure.

But I can’t really take the credit for “finding” this wine — it found me. A colleague was traveling through Sicily, and while drinking wine with the general manager of Rocco Forte’s Verdura Resort on the southern coast, she brought up my blog. The thoughtful manager gave her a special bottle of Sicilian wine to bring back for me to taste, which she packed in her bags and presented to me upon her return. I finally opened it over dinner last Sunday. It made me want to jump on a plane then and there to thank that hotel manager personally.

The 2010 Planeta Carricante blew me away, but what is it? I was at least familiar with its homeland of Sicily, an island celebrated for its wines since ancient times. But between 1960 and 1987, the Oxford Companion notes, misguided governmental subsidies encouraged producers to focus on quantity over quality, leading to overproduction and declining prices. Things began to turn around in the last 20 years thanks in no small part to the very winery responsible for this Carricante.

According to The Sotheby’s Wine Encyclopedia, after Planeta established its winery in 1995, “the wines started to attract attention and growing respect in the  early 2000s, and Planeta is now not only the island’s top producer, but also one of Italy’s greatest.” The World Atlas of Wine agrees with this history, noting that “The regional wine institute, under the direction of Diego Planeta and through the innovative and savvy Planeta family winery, has put modern Sicilian wine on the world map.” If anyone could make a good Carricante, then, it would surely be Planeta.

But what is Carricante, this mysterious variety absent from the Oxford Companion? The World Atlas of Wine at least mentions Carricante, calling it Sicily’s “tartest” variety and noting its capability to “age gracefully for up to 10 years.” The Wine Searcher website delves further, noting that this grape is “thought to have been growing on the volcanic slopes of Mt. Etna for at least a thousand years,” going on to describe the growing conditions and vinification techniques ideal for this “ancient” variety. Wine Searcher also warns us not to mistake Carricante for its common blending partner Catarratto, “a variety for which (somewhat confusingly) Carricante is often confused.”

If you can make it past this confusing confusion, I highly recommend seeking out a bottle of the Planeta Carricante (the 2010 was 100% Carricante, but the current vintage contains 5% Riesling). Its wonderfully seductive aroma had notes of honey, cedar and lily of the valley, one of my favorite flowers (a little like jasmine). A fellow taster remarked that “It smells like the best Kasugai gummy ever created.” I loved the lush fruit, flinty minerals and the focused, almost incense-like spice that just kept going and going. Paired with some pasta with orange cherry tomatoes, fresh fava beans, onions, olive oil, garlic and ground pork, the wine’s acids became even juicier and zestier.

It was rich, complex, balanced and elegant, but even more impressive, the wine took me right back to Sicily. I could imagine myself at some trattoria in Taormina, sipping a glass at an outdoor table while I took in the view of Mt. Etna and the sea, a little incense wafting out of a nearby church. This was a wine truly expressive of its terroir.

The Planeta Carricante might be hard to come by, but it’s certainly not unlikely that you’ll run into another wine by Planeta. If this Carricante is any indication, it’s a winery worth remembering.

Note: This wine was provided free of charge by Rocco Forte’s Verdura Resort.

Of course, the tasting at Tangley Oaks with Anthony Terlato didn’t stop with the white wines. We tasted quite a few delicious reds as well, including an earthy and richly fruity Rutherford Hill Bordeaux-style blend from Napa, an elegant and forcefully focused Terlato Pinot Noir from the Russian River Valley, and a powerful Chimney Rock Cabernet Sauvignon from Stags Leap in Napa.

But you don’t need me to tell you how good a Napa Valley Cabernet can be. If you’re reading this blog, you’re likely looking for some new discoveries, and I certainly made some. These are the reds we tried that were not only delicious but unusual:

2012 Cusumano “Benuara”: This Sicilian blend of 70% Nero d’Avola and 30% Syrah comes from Presti e Pegni, a set of hilly vineyards west of Palermo near the town of Alcamo (see a beautiful photo of the vineyards here). Nero d’Avola is an “increasingly reputable red grape,” according to The Oxford Companion to Wine, never a book to shy away from a back-handed compliment. This variety indigenous to southern Italy (originating centuries ago in either southeastern Sicily or Calabria — its history is murky) has taken Sicily by storm, and it is now the island’s most widely planted red grape. I love it — I think Nero d’Avola tends to be an excellent value for the money.

Readers of The Sotheby’s Wine Encyclopedia might shy away from a Nero d’Avola from Alcamo, a region it dismisses as unable to produce wines “of any real quality or character” due to fertile soils and high yields. But the Cusumano “Benuara” blend proves that assertion false. It had a mysterious aroma of dark fruit along with something aromatic — fellow taster Liz Barrett (Terlato’s Vice President of Corporate Communications and PR) detected an underlying salinity in the nose. It tasted big and beefy, with plenty of ripe, dark fruit and big spice, yet it managed to not overheat, avoiding a problem I’ve noticed with the occasional Sicilian. I can see why Mr. Terlato called Cusumano “the most important producer of quality wines of Sicily right now.”

2011 Lapostolle “Canto de Apalta”: Founded in 1994 by the well-funded owners of Grand Marnier, Lapostolle has rapidly become one of Chile’s top wineries. Admirably, all of its vineyards have been certified as organic and biodynamic since 2011, making Lapostolle wines a good choice for eco-conscious drinkers. The Oxford Companion notes that Apalta “has a reputation for fine Merlot, Carmenère and Syrah” due in large part to the efforts of Casa Lapostolle. And wouldn’t you know it, the Canto de Apalta is a blend of all three, with the addition of some Cabernet Sauvignon. As such, this wine resembles the much sought-after “hermitaged” Bordeaux wines of the 19th century, which blended local varieties (such as Merlot, Cabernet Sauvignon and Carmenère) with powerful Syrah from Hermitage in the northern Rhône. It’s still a winning combination. This wine from the Rapel Valley had gorgeous color and a subtle, deep red-fruit aroma. With big fruit, big tannins and spicy acids, it struck me as a fantastic value for a $20 wine.

2012 Domaine Terlato & Chapoutier Shiraz-Viognier: Another appellation of the northern Rhône which quickens my heart is Côte Rôtie, a 555-acre region producing some of the world’s most coveted Syrah-based wines. These generally unaffordable wines were the inspiration for this Australian collaboration between Anthony Terlato and Rhône-based winemaker Michel Chapoutier. Together, they purchased some land north of Melbourne in the Pyrenees Hills, which is about as far from the Rhône as you can get. Nevertheless, the terroir must be similar, because this Côte Rôtie-style blend of 95% Shiraz (Syrah) and 5% Viognier is an absolute delight to drink. Shiraz, of course, is known to do very well in Australia, and it only makes sense that aromatic Viognier, another variety from the Rhône, would also flourish. This wine had a startlingly beautiful aroma — jammy and redolent of violets. I loved its rich texture, extravagant fruit, and perfectly balanced spice and tannins. Gorgeously lush, without becoming overblown. Averaging about $17 according to Wine Searcher, this is one of the best red-wine values I’ve tasted all year.

2007 Goretti Sagrantino di Montefalco: Indigenous to Umbria, Italy, the Sagrantino variety almost died out at one point, but it’s gained ground in recent years, especially since Sagrantino di Montefalco gained DOCG status in the 1990s (Montefalco is an Umbrian hill town). Now, I wouldn’t buy just any Sagrantino di Montefalco — the Oxford Companion complains that “the overall level of viticultural and oenological sophistication in the production zone is not high…” But the family-owned Goretti winery proves to be a notable exception, if this wine is any indication. It tasted darkly fruity, with a rustic texture, a fun zing of spice and a satisfyingly raisiny finish. It had no trouble standing up to a plate of Piave, English Cheddar and aged Gouda.

2009 GALAXY: At first glance, it doesn’t seem there’s anything all that unusual about this blend of 50% Cabernet Sauvignon, 35% Syrah and 15% Merlot from California. But the process used to arrive at this combination is unorthodox indeed. Each component of the blend is produced by a different winemaker (Elizabeth Vianna, Bryan Parker and Marisa Huffaker, respectively). The three of them gather each year in a hotel room, where essentially they’re locked in until they agree on a blend. It would be fun to be a fly on that wall, I have to think! Whatever happened in that hotel room, this year’s blend tastes huge. It’s a big, spicy wine with dark fruit and some meaty notes. Lusty, gutsy, and altogether delicious.

Note: These wines were sampled free of charge as part of a complimentary tasting organized by Terlato Wines.